Already counting Herbie Hancock, Wayne Shorter, and Terence Blanchard (among many others) as collaborators, Loueke is well renowned in jazz circles; yet his sound has done much to bridge gaps between jazz and mainstream music communities. In a recent AOL Spinner article, Loueke notes his efforts to help American audiences absorb his traditional African arrangements and folk styles, while striving to bring the same understanding about American jazz composition and style to his native audiences in Benin.
Loueke should give himself and audiences more credit. Talent is universal. But his genuine modesty is ever-present. Whether it is Loueke's absolutely captivating live performances, or his recorded material, which deftly incorporates keen melodic harmonies, speed, well-crafted compositions, and remarkable vocal percussion techniques (yes, he does all of this at the same time); Loueke is one of the premier African talents making music today. His instrumental proficiency can be mentioned in the same breath as Toumani Diabate and his cross-over potential with that of Amadou and Mariam. While you shouldn't expect to see Mr. Loueke packing out Webster Hall with a full band anytime soon, his music, beginning with Mwaliko, deserves mention alongside the best music coming out of Africa right now, past or present.
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